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LOUISE MASSEY & THE WESTERNERS. Vol 2. Recorded 1934-42. BACM 679
A second volume of recordings from this band, popular on radio and liv... more info
NEW ORLEANS HILLBILLY - Various Artists. BACM 680
Another BACM CD focusing on a particular US region or State – this o... more info
GENE AUTRY - Vol. 9 Guns And Guitars. BACM 681
Both of the BACM founders were massive fans of Gene Autry and over the... more info
Country Music - Chart Memories - 1955 - (Vol. 4) CD 024
Tracks 76 - 100 of the most popular original recordings of 1955, by th... more info
Country Music - Chart Memories - 1955 - (Vol. 3) CD 023
Tracks 51 - 75 of the most popular original recordings of 1955, by the... more info
Country Music - Chart Memories - 1955 - (Vol. 2) CD 022
Tracks 26 - 50 of the most popular original recordings of 1955, by the... more info
Country Music - Chart Memories - 1955 - (Vol. 1) CD 021
Tracks 1 - 25 of the most popular original recordings of 1955, by the ... more info
Well known for his song "Pistol Packing Mama" (included here), this honky-tonk vocalist belts out 26 tracks from the 1930s/40s. Includes the sequel to his "Pistol Packing Mama" smash.
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Our second collection from Dexter, a mix, more of his 1930s era recordings (backed by The Nite Owls – see also BACM CD 538) and later recordings from the early 40s (several Light Crust Doughboys musicians on the sessions) and the early 50s, plus a few unissued acetates. Good solid honky tonk and mostly previously unreleased on CD.
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More 40s/50s recordings from this legendary label. The mix includes rare recordings by Moon Mullican, Wade Mainer and Al Dexter.
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An infectious honky tonk performer who wrote most of the songs featured in this collection; 25 from Mercury, his debut label, and both sides of his Replica single. All recorded between 1946 and 1954.
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Billy Wallace was an Oklahoma-born singer, songwriter and guitarist, whose early influences were the country stars of the 1930s/40s including Roy Acuff, the Delmore Brothers and Rex Griffin. He moved to Nashville around 1950, cutting his first recordings on the Tennessee label in 1950. He had a distinctive sound, one of those deep nasal voices somewhat in the Hank Snow mould coupled with a blues-influenced guitar style. Undeservedly, he is nowadays largely forgotten although many of his compositions have become country standards, recorded by the likes of Patsy Cline, Red Foley, Kitty Wells and Little Jimmy Dickens. Hank Williams was regularly including Wallace’s co-write Back Street Affair on his radio shows although he never got around to recording it in the studio. It became a big hit for Webb Pierce in 1952 and later as a duet between Conway Twitty and Loretta Lynn. Our CD showcases the best of Wallace’s recordings from 1950 to 1962.
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California-born Bud Hobbs was one of the first exponents of what became known as The Bakersfield Sound, but sadly died aged just 38 having left only around 30 studio recordings. These were of a high standard and featured the cream of the LA session musicians of the era including, on his 1953 sessions, Buck Owens on guitar, Ferlin Husky on bass and Tommy Collins on rhythm. Fine country-crooner voice, pitch perfect and distinctive. Thanks due to Ken Coffee and Russ Wapensky for the excellent liner notes and session details – and to Al Turner for the tracks!
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A singing policeman, no less! With a honky tonk style who, with contemporaries Cliff Bruner and Tillman Franks made some fine recordings back in the '30s and 40s, well showcased in this selection.
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A second compilation, classic country tracks from 1935 to 1940 from trail-blazing honky-tonk singer Buddy Jones who developed his own style, influenced by his idol Jimmie Rodgers but edging towards hard-driving western swing. Session men include electric mandolin pioneer Leo Raley and rising piano star Moon Mullican. A couple of early duets with Jimmie Davis.
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Fine honky tonk singing on these 24 early '50s recordings from the man with one of Country's all time great voices.
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Our first collection from the great Texas honkytonk singer features his early recordings, from his first on the Imperial label in 1952 through to 1958 when he was scoring his first big hits and already developing his shuffle sound. Hi-lights include the 1954 sessions featuring legendary session men Grady Martin (lead guitar), Tommy Jackson (fiddle) and Owen Bradley (piano) which gave us the hit recording of Tell Her Lies And Feed Her Candy. And the great shuffle classic, Pick Me Up On Your Way Down recorded in 1958 with Jimmy Dale on steel.
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25 late 40s-mid 50s King recordings from the honky tonk singer, songwriter and fine guitarist.
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A superb guitarist, singer and songwriter, 27 more tracks, from the mid 40s to mid 50s to complement our earlier collections on CDs 137 and 164.
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28 rare tracks here, many in the Hank Williams mold, some from Ed Camp, others from Artists who shared the same label as Camp. Talented but nowadays sadly much forgotten Camp was an accomplished fiddler and guitarist who played on the same bill as Hank Williams in the weeks and days before Hank's untimely death. (In 1955, Camp was on the same bill as a young and already on the rise to fame, Elvis Presley).
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Honky-tonk singing at its best on these 22 rare transcription tracks recorded in 1944 - an era some rate as his best; several composed by Tubb himself.
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Continuing our releases of music from different areas of the USA, we have put together this bunch of recordings, various artists from the West Texas / New Mexico scene. You’ll find some very rare items amongst this selection. Surely the sort of music which Jim Reeves was listening to in his teens, influencing his own early recordings. This CD is a neat companion to our earlier selection of songs from the Texas Panhandle (BACM CD 574), this time going a bit further west!
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A fine country honker tonker with a deep drawl vocal style somewhat in the Ernest Tubb mould. BACM’s CD features most of Jack's recording output (Capitol, late 1940s and MGM, mid 50s) and includes covers of some of the popular country songs of the era including Send Me The Pillow I Dream on and Candy Kisses. Fine musicians including his brother, multi instrumentalist Little Joe Hunt, later acclaimed as ‘America’s fastest banjo player’ and who played on some of Jim Reeves’ Abbot sessions. Thanks to Ken Coffee, Dave Sichak (of http://www.hillbilly-music.com/ ) and Al Turner for the research work and liner notes.
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Three things sum up this artist: Small, Loud and Fine-country-singer. Here is a great selection of his late 1940s, early 50s Columbia recordings, many of them of the novelty genre.
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Some early recordings from the lady who went onto become America’s Sweetheart (and the 1970s “Woman Of The Decade”!) Including the best of her first recordings (1960) which were released on Canada's Zero label and already demonstrating her ability to write a good song. Distinctive, immediately recognizable voice and a great selection of songs, a nice 60 minutes of fine country music.
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Our first collection, fine recordings, from the great singer/songwriter composer of such hits as Wolverton Mountain, Ring Of Fire and Johnny Reb. Fine song stylist with a deep baritone, has been described as a cross between Johnny Cash and Eddie Arnold! Superb vocalist with an astonishing gift for mimicking other stars - take a listen to his Seasons Of My Heart, perfect 'Johnny Cash'!
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Another Oklahoma born singer/ songwriter with a fine voice who made few recordings but all of them excellent; 20 songs recorded 1945/47 with an interesting variety of accompaniments. Nice version of Woody & Jack Guthrie's "Oklahoma Hills".
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Rare tracks featuring Hall variously as pianist, singer, band leader between 1949 and the mid ‘50s in Detroit and Nashville before signing with Decca as a rock ‘n roller in 1955 (left his mark on Rock history as [claimed] co-writer of Jerry Lee Lewis's smash Whole Lotta Shakin' Goin' On!) Upbeat country with honky tonk piano. Of historical interest, track 23 (Jealous Love) features "The Davis Sisters" on vocals, one of whom went onto fame as Skeeter Davis.
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Our first CD from the Warren Brothers, Shorty and Smokey, stalwarts of the Northeastern country music scene for several decades, starting from the mid ‘40s. Tracks feature several of their regular or guest vocalists – nice selection of songs and styles. Described as: "... mainstream country music of the era, with pop and western overtones ... with some western swing influence'. Thanks to Kevin Coffey for the research and sleeve notes and to Al Turner for his help sourcing the recordings.
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Our first STONEWALL JACKSON compilation, a hard core country singer and fine songwriter who got his break on the Grand Ole Opry just days after arriving in Nashville and pitching some songs to Wesley Rose. Ernest Tubb took him under his wing hiring him as an opener to his shows. Jackson’s early recordings were much influenced by his idol Hank Williams but he soon developed his own style and the hits followed including his massive crossover hit Waterloo in 1959. (Not on this CD but available on one of BACM’s Country Music Memories CDs. Most Popular Country Recordings of 1959, Volume 1 CD). Several of Jackson’s lesser known hits are featured, making this a fine hour’s listening for fans who enjoy the strong vibrant style of late 1950s country.
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Band leader, steel guitarist and classic songwriter ("Born to lose", "No letter today", "Truck Driver's Blues") here are are 24 previously unissued gems Daffan recorded between 1941 and 1945; good songs, good steel guitar riffs from this influential country music maker.
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A second volume from fine songwriter, steel player and singer Ted Daffan recorded in the years 1939 to 1948 and including the first recording of his classic I’m a Fool To Care, later a hit for Jim Reeves and Les Paul. Big thanks to Kevin Coffey for the research and liner notes.
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28 tracks from Alabama born Fell and Oklahoman steel guitarist Jackson; all recorded in the mid ‘40s. Lovers of steel guitar will enjoy the Jackson tracks in particular.
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Our first compilation of lost gems from the Nashville label – a subsidiary of Starday, established by Don Pierce in 1961. 28 tracks, mostly produced by the legendary Tommy Hill; a feast of authentic 'Nashville country' tracks, featuring top session musicians.
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Specialty is best known for its R&B, blues and early rock and roll roster (the likes of Little Richard, Lloyd Price, John Lee Hooker) but also recorded some country. This collection features Speciality country tracks from 1952/53 including early cuts by Claude King (later to hit the country/pop charts with Wolverton Mountain) and steelie Harold “Shot” Jackson who appears on many Louisiana Hayride shows from that era.
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Brilliant fiddle player who graced innumerable country sessions for top artists is found here with a selection of his own recordings (Tommy on vocals, various session line ups), mainly 1950s style honky tonk.
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Tommy Sosabee was a popular country singer from the mid 40s through to the late ‘50s, achieving regular slots on the Grand Ole Opry and, following his relocation to Missouri in 1954, on the Ozark Jubilee. With a warm country-crooner voice somewhat similar to Eddie Arnold be began his recording career as (uncredited) lead vocalist on a few Pee Wee King’s band recordings in the late 1940s before making his own-name recording debut on the Apollo label in 1947 (see BACM’s Apollo Label collection CD352). We have now compiled this 23 track selection, a mix of studio recordings (Coral label, early 1950s) and Ozark Jubilee radio recordings.
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