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Listed in order of first name of artist or group. Ones beginning with a number appear under the first letter of the number (eg: '4-Star' is under 'F').
Dedicated to the memory of BACM founder Dave Barnes, we have put together this selection of some of his favourite recordings, easy going, old style Country & Western, the music that Dave began collecting on 78rpm records over 70 years ago, back in the era of the Saturday picture show westerns. The collection grew and grew, eventually requiring a purpose-built building till bursting at the seams with over 670,000 recordings and over a million items in total including the books, magazines, videos etc!
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Some rootsy hillbilly from the De Luxe label which merged with King Records in the late 1940s. Includes tracks from Jimmy Widener (banjo and guitar, busy LA session man who played and sang with several of the top Western Swing Bands including Bob Wills and his Texas Playboys and Spade Cooley) and Leon Rusk, best known as a songwriter with credits on such classics as A Petal From A Faded Rose (recorded by Hank Snow, George Morgan and Little Jimmie Dickens) and Devil To Pay (recorded by Kris Kristofferson and Johnny Cash).
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Rare recordings, mostly in the style of the late Jimmie Rodgers. Love's first recordings were as guitarist and sometimes vocalist as a member of J.E. Mainer’s Mountaineers in 1935 (several tracks on BACM CD122 and more here). A distinctive vocalist, guitarist and yodeller.
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Roy Rogers' "Other half" with a 24 song collection. Pop oriented country, mainly from the late 1940s.
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Danny Dill’s legacy is assured by his song writing credits on Long Black Veil (widely recorded including by Lefty Frizzell, Joan Baez and Johnny Cash), Detroit City (eg: Bobby Bare, Tom Jones, Dean Martin) and Partners, recorded by Jim Reeves for his 1959 He’ll Have To Go album. But Dill was also a fine vocalist who deserves to be remembered for his own recordings – showcased on this selection – which includes several nostalgic country standards as well as his own compositions.
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Talented singer, songwriter and guitarist Denny had an easy going country-crooner style and left an interesting body of recorded work, cross sectioned in this, our first CD devoted to his music. Includes tracks from his first (1945/46) sessions which had famed jazz musician Eddie South on violin (nice version of "Silver dew on the bluegrass tonight") through to four 1954 tracks with Chet Atkins backing. Boogie version of Hank Williams' "My bucket's got a hole in it". A talented performer worthy of more recognition.
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28 choice recordings from the 1950s - mainly Western Swing with a few Country and Rockabilly numbers thrown in.
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Our first compilation from the late 50s/early 60s crossover artist Del Reeves who scored a No. 1 hit in 1965 with Girl On The Billboard. The CD features rarely heard, early tracks that laid the foundation for his successful career.
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Delbert Barker was one of the great talents of the early /mid 1950’s country and hillbilly scene who recorded superb, authentically-country interpretations of the most iconic country hits of the day.
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These 21 tracks showcase the fine harmony of this legendary brother duo. 17 from the early '40s and four from the early 50s; two tracks have Wayne Rainey on harmonica.
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Not too well known these days but popular during the WW2 years; these Denver Darling recordings date from 1941-47, with a mix of old and new tunes.
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Another selection from the "New York Radio Cowboy" - 23 commercial and rare transcription recordings from the 1940s.
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This our 3rd release from the vaults contains 25 world transcription tracks recorded 1943-45, including several classic country tunes. Top steel guitarist Vaughn Horton and guitarist Tony Mottoca are among the backing musicians.
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Although he recorded for only six years, he still warrants a 4th volume (see also CDS BACM 26, 136 and 246) with these 27 rare tracks, mainly transcriptions from the 1940s showcasing his varied output.
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Some nice, tight Western Swing on these 26 songs recorded in the mid 40s by Spriggins, former Spade Cooley band member .
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Some great Western Swing from the late 1940s/50s from Groom, Slim and Howdy Forrester including some fine instrumentals.
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This great mix of mainly upbeat 1930s recordings include all the Washboard Wonders' recordings plus six tracks from the Tennessee Ramblers.
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Here is the entirety of Reinhart's solo recordings, recorded 1929-47, nice mix of moods and styles. Also sang as a group ("The Rough Riders") with Johnny Bond and Jimmy Wakely (See BACM CDs 102 and 384).
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Philadelphia born talented singer, songwriter and pianist here with a mix of 22 songs many written by him and all recorded in the 1940s/early 50s. Includes the title song "Sioux City Sue" which spent four weeks at No. 1 in the US Juke Box Folk Records chart in 1945 - and which also became a big hit for Bing Crosby (and became a Gene Autry film title!).
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Great Western Swing vocalist with 23 songs from the late 30s to early 40s including several rare unissued demos.
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This jazzy swinging-country collection features all 24 of the band's 1937/39 Bluebird recordings including ten instrumentals. Awesome musicianship but this is not for hard core country fans. They were mainstays for several years on the Mid Day Merry Go Round radio show, the Swingsters providing upbeat, jazzy, novelty contrast to the station's core output which was country. Another country association, a very young Chet Atkins was part of the band for a while in the mid '40s.
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30 transcriptions recorded in 1944; fine singer with a batch of traditional favorites.
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More 1944 transcriptions (33) to complement CD 88.
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12 songs from Virginian Dock Boggs and 12 from Kentuckian Emry Arthur - hard core old time country from the 1920s and 30s.
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As we dig through the archives we are sometimes amazed to come across an awesome talent which somehow has been lost to history. One such is Dolph Hewitt who achieved some radio popularity in the 30s on the Wheeling Jamboree before wartime service in the marines. Post war he came to the National Barn Dance giving him nationwide exposure initially as a member of the Sage Riders, a western styled band, later solo. Recording contracts followed and he scored several minor hits first with RCA then with various independent labels. Our CD showcases 27 of his fine recordings, nice mix of songs and styles but mainly smooth crooner country somewhat in the Eddy Arnold style.
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24 songs from his early 50s recordings - cut before he hit the big time as one of the all time best known country singers and songwriters.
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The man whose wistful steel guitar helped create the magic on all of Hank’s greatest recordings went on to play on many classic hits for other artists including Patsy Cline, Ernest Tubb, Loretta Lynn and Johnny Cash (Columbia era). Here are 24 instrumental tracks showcasing Don’s talent on a mix of Hank Williams hits and other country standards.
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Bluegrass at its very best from this musically talented duo with a 1952-57 selection of traditional and gospel songs and some virtuoso instrumentals.
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Our first collection from the man often dubbed Canada's "King of the Yodelers". Includes his first American hit single, Texas Yodel.
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Fine 1950s/early 60s country from this interesting label including rare cuts by Jimmy C. Newman, Bonnie Guitar and Lonzo & Oscar among others.
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Thirty 1940s transcription recordings from this superbly talented quartet - apparently a condition of joining was to be able to play any instrument and sing any of the harmony parts! On some tracks, a young 'King Of The Yodelers' Kenny Roberts.
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The 28 songs from this 4-piece band with a sound similar to The Sons Of The Pioneers are all from rare radio transcriptions made in the 1940s.
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27 songs recorded in the 1940s and 1950s by this Western-style singer and occasional actor; includes an early version of 'Old Shep'.
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Our second CD from this talented fiddle player, guitarist and melodic tenor, featuring a wide range of material from ballads to jazz tinged western swing as well as hilarious novelty numbers like She left me when my dream boat started leaking.
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Some excellent Country from this Dallas-based and short-lived (1947-50) label - nice variety of styles.
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27 transcription recordings made in 1935/36 by this accomplished band - a mix of cowboy standards, old fiddle tunes, Western and novelty songs.
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Ellison was a formidable talent, now sadly almost completely written out of the Country history books. He was raised in Oklahoma into a musical family and he began recording in the mid 1940s, initially for 4-Star. Four of these recordings are included here and have the legendary Porky Freeman on lead guitar. The remaining tracks are mainly with his group The Saddle Dusters featuring Dusty (vocals and either lead or rhythm guitar) and pals Hil Duffy (bass and vocals) and Buddy Woody (accordion, vibraphone – and vocals on several tracks), both of whom had considerable talent and interesting musical careers, well summarised in Kevin Coffey’s liner notes. When Dusty sang cowboy harmony with his group there were none better.
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The 22 tracks here cover the complete 1920s recordings of these two groups and including some fine virtuoso fiddle playing from both.
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“Hank Fort” was the stage name of the extraordinary Eleanore Hankins, Nashville socialite, singer/pianist and prolific songwriter who composed over 400 songs including the pop hit Put Your Shoes On Lucy. Our CD includes songs from her 1958 album on which she was accompanied by Nashville’s A-list musicians including Chet Atkins and Hank Garland. Not our usual pure-country fare but she was a genuine Southern gal, born and raised in Nashville and whose songs were recorded by country stars like Patsy Montana and Jean Shepard as well as mainstream pop singers like Petula Clark and Gracie Fields. As a historical extra we include six 1947-49 tracks of Fort’s songs sung by Dottie Dillard (later of the Anita Kerr Singers) backed with Owen Bradley’s Orchestra – the Bradley who went on to have enormous influence as the leading architect of the 1950s/ 1960s Nashville sound, producing the likes of Jim Reeves, Kitty Wells, Patsy Cline, Brenda Lee, Loretta Lynn and Conway Twitty.
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Rare tracks from this Chicago based label, late 1940s and early 1950s.
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A fine mix of 30s/40s recordings, including from Riley Puckett and The Carlisle Brothers, from the great Decca 5000 "Hillbilly" series.
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THE HARDIN COUNTY BOYS alias Denver Duke and Jeffery Null, were a fine bluegrass group with a distinctive vocal style, nice harmonies led by Denver Duke’s sweet vocals. They issued several LPs in the mid to late 50s and early 60s but as far as we are aware none of their material has made it to CD apart from a re-release of one of their Canadian Rosedale albums, now deleted. Today they are fast becoming cult figures in country music with their very collectable sentimental songs. Nice selection of their recordings across various labels, from the mid to the late 1950s, a mix of country and bluegrass, mainly original compositions.
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"Canada's No. 1 Singing Cowboy" was also a fine songwriter and deserves to be better known. We are pleased to present this selection of 26 of his late 40s/early 50s songs accompanied by his Serenade Ranch Gang. Inducted into the Canadian Country Hall of Fame in 1989.
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Some great uncluttered late 20s/early 30s recordings from five different bands from California, preceding the Bakersfield Sound by a couple of decades.
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28 rare tracks here, many in the Hank Williams mold, some from Ed Camp, others from Artists who shared the same label as Camp. Talented but nowadays sadly much forgotten Camp was an accomplished fiddler and guitarist who played on the same bill as Hank Williams in the weeks and days before Hank's untimely death. (In 1955, Camp was on the same bill as a young and already on the rise to fame, Elvis Presley).
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Ed McCurdy is nowadays best known as a folk singer who worked with the likes of Pete Seeger and Josh White in the late 1940s and going on to become one of the leading lights in the late 1950s folk revival, performing at the legendary Newport Folk Festivals and hosting the Greenwich Village hootenanny sessions which helped launch the careers of Joni Mitchell and James Taylor. But his career also includes successful episodes as a radio performer singing romantic songs and doing comedy routines in the 1930s /early 40s and as a children’s entertainer on radio and TV in the early 1950s. Also little known is his familiarity with and love for cowboy and western material and we are pleased to release this compilation – 24 tracks, culled from his 1957 Songs Of The Old West and other albums. They feature the guitar and banjo work of Erik Darling, a founder member of The Tarriers folk group and another big fan of the Cowboy music genre. Thanks to Country Music historian Tony Byworth for the liner notes.
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An essential ingredient of the 1940s black and white westerns, was the cowboy band, typically playing over the opening and closing credits as well as doing a ‘live’ performance built into the story. This collection takes songs from six popular movies from 1947/1948 featuring singing cowboy Eddie Dean (see also BACM CD 69, Dusty Old Saddle). We also include eight tracks of Eddie accompanied by the superb Andy Parker and The Plainsmen. Thanks are due to Andy’s son, Joe, who edited and digitally restored the tracks – continuing his epic work over the decades, archiving and restoring classic Western recordings, preserving an important part of America’s musical heritage for future generations.
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Up there as one of the all time great singing cowboys alongside Roy Rogers, Gene Autry and Tex Ritter, here are 27 of his 1940s radio transcriptions.
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Eddie Hazelwood was a fine singer and talented songwriter who undeservedly never made the big time outside Southern California. This long overdue collection features most of his recordings, some with top session musicians including Merle Travis on electric guitar and Tex Atchinson on fiddle – also tracks from his last sessions include a young Joe Maphis on lead guitar. One curiosity is Hazlewood’s 1953 cover of Big Mama Thornton’s Hound Dog hit, featuring both Merle Travis and Joe Maphis on guitar - a full three years before Elvis recorded his mis-remembered lyrics version.
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A nowadays almost forgotten singer/guitarist who was very popular back in the 40s and early 50s, here a selection of his Capitol recordings.
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A second compilation of recordings by Western singer/ songwriter and B-Western actor Eddie Kirk, mainly culled from his Capitol recordings from the late 1940s and early 50s and representative of the West Coast sound of the era. Nice mix of styles and genres including a few demonstrations of Kirk’s yodelling skills.
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Singer/ Western-swing bandleader/ famed songwriter (the much recorded "Release me""included here) - with 27 songs from the mid 1940s/mid 50s. (The first of our two samples is Eddie's original cut of his "I Love You Honey" composition, later a minor hit for Patsy Cline).
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Excellent singer/songwriter who deserves to be better known. These 1940s/50s recordings will show you why.
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Eddie Shuler was founder of Goldband Records, a label which first brought us Dolly Parton (at age 14!) and, over the decades, everything from traditional cajun, blues legends, pop hits and R&B to zydeco. But Goldband began as a vanity label to showcase Shuler’s own recordings from the mid ‘40s onwards. Here are 24 of these cuts, most with Shuler on guitar and vocals but backed by some of the top musicians of the era. Mix of (mainly) upbeat Western Swing and Cajun styles and it includes Shuler’s regional hit Ace Of Love, co-written with his long time band member, steel guitarist Pee Wee Lyons.
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An interesting mix of styles from Eddie and various members of his band, including his daughters - mainly country, some rockabilly. 30 recordings from the 1950s.
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Our first collection of Eddy Arnold recordings including several from the late 1940s to early 50s when he scored a string of hits including Bouquet Of Roses and Anytime and was the best selling country star, even outselling Hank Williams. A fine country crooner as much at home with up tempo foot tappers as with country ballads.
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One of the less well known hot string bands with 26 excellent foot tapping tracks from 1938-52.
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This collection kicks off with a few more tracks from the 1940s, recorded in New York with lush orchestral accompaniment including a beautiful rendition of Roses Of Yesterday and the first ever issued recording of Blue Eyes Cryin’ In The Rain. The final 20 tracks were recorded in Nashville, 1950 -55 and revert to a more stripped down, more country sound and the various session line ups include ace guitarists Chet Atkins, Eddie Hill, Grady Martin and George Barnes. A nice mix of songs and styles – with Britt on fine yodelling form on Rotation Blues and St. Louis Blues Yodel.
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Something special for Elton’s fans and collectors – recordings with various groups cut during his early career.
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Going back further into the vaults than CD86, this CD contains 20 rare recordings from 1933-37 by this top yodeler, in various guises.
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24 1940s recordings from one of the all time great country yodelers accompanied on some by top girl yodeler Rosalie Allen, all from his RCA years. Several classic country songs given the distinctive Britt treatment.
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20s/30s popular country songs many of them classics of the 'outdoor vagabond' genre, sung in great style in his 'Hobo Jack' persona.
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27 gospel songs done in bluegrass style from this authentic pentecostal preacher - all but three of this selection were his own compositions. Nowadays forgotten other than by a few bluegrass collectors he was a prolific songwriter who learned guitar, banjo and harmonica at an early age, had his own radio show (as "Kid Martin") at 20 and for a time played on radio with Bill & Cliff Carlisle - then turned from hard drinker to preacher.
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One of the first country artists on record, these songs from his first recordings in 1924 contain a mix of instrumentals and traditional songs in his distinctive high pitched delivery.
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Honky-tonk singing at its best on these 22 rare transcription tracks recorded in 1944 - an era some rate as his best; several composed by Tubb himself.
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Here is another of those talented country artistes who despite having enjoyed regional popularity never got the break (or hit record!) to become nationwide stars. Ernie Lee became an early regular on the Renfro Valley Barn Dance in the early ‘40s, later joining the Midwestern Hayride as MC and featured singer before moving to Florida in 1954 becoming a mainstay on several local radio shows as well as the area’s first TV station WSUN. He remained the major country music figure in Florida for the next 30 years with his laid back style and easy-going country crooner voice which many have rated as better than his friend and co-performer Red Foley. BACM are pleased to offer this collection of Lee’s recordings made in the late 1940s and early 50s. It includes the rarely heard Cold War era song No Jo, a swipe at communism and Joseph Stalin and first recorded by Hank Williams.
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22 rare recordings - most long unavailable and some never before re-issued; from a singer who was strongly influenced by Roy Acuff, several of whose songs are featured here.
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Another fine Canadian country singer who deserves wider fame; nice easy style, 31 songs and instrumentals recorded between 1958 and 1960.
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28 tracks, selected from early 1950s records released by this Ohio-based record label. Some ace musicians, including Dave Woolum (who had been part of Jim & Jesse McReynolds' Virginia Trio), Sonny Osborne and banjo wizard Noah Crase, one time member of Bill Monroe's band, here heard backing Woolum on several tracks. Also a couple of instrumental gems from ace mandolinist Ray Lunsford, who was featured on the Archive's earlier Jimmie Skinner CD (JIMMIE SKINNER Too Hot To Handle, BACM CD184).
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Second compilation culled from records issued on the Excellent label in the 1950s. Includes several tracks from the superb mandolinist Ray Lunsford, best known from his session work with Jimmie Skinner (showcased on our JIMMIE SKINNER Too Hot To Handle CD no. 277). Plenty of bluegrass style ...
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35 transcriptions for radio, recorded 1939/40 by this influential hillbilly band led by Ezra Paulette (vocal, yodel, fiddle) and which featured an ever changing line up of superb musicians including Hank Skillet (fiddle) and Zeke Manners (accordion).
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Friendly-voiced Eddie Hill was a pioneering country music DJ, nowadays best remembered for his compering at WSM-Nashville and the WLAC-TV Country Junction show. But he was also a prolific recording artist, recording for Decca, Mercury, RCA and Columbia. Bear Family and Cattle Records have issued selections of his recordings and we’ve put ‘The best of the rest’on this BACM compilation. Hill always had top session men on his recordings (hear Chet Atkins and Grady Martin trading licks on Educated Fool; and Johnny & Jack doing the vocals alongside Eddie’s recitations on the 1947 tracks). Some hilarious comedy numbers including a spoof country version of Jack & The Beanstalk, name-checking Hank Snow and Chet Atkins among others!) An enjoyable hours’ feel-good-country-listening.
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Historic early old time collection from the 1920s; interesting mix selected from the huge Edison output with influential and gifted performers including Posey Rorer, Vernon Dalhart and Fiddling Powers Family
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Dallas was a hotbed of progressive string band music in the early 1930s, influenced by its neighbour Fort Worth (the reputed Cradle of Western Swing) and taking on board other regional jazz, blues and hillbilly influences. BACM has already dedicated some CDs to early Dallas western swing stalwarts like Bill Boyd and Roy Newman and this collection focusses on lesser known groups. Many of the musicians were legends in their own right including tenor banjoist and mainstay of the Light Crust Doughboys Marvin Montgomery and singer-guitarist Dick Reinhart. Nice mix of styles including stripped down blues from the Paradise Joy Boys with what we believe is the first ever cover of Blind Lemon Jefferson’s Matchbox Blues. The fiddler is trained violinist and child prodigy, Felix St Clair. Other highlights included four fine recordings from “hot” Hawaiian trio the Hauulea Entertainers, led by local steel guitarist and teacher J. B. Stevenson and nine from the Wanderers, a Western Swing group much influenced by Milton Brown.
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